• 'Looking' Star Russell Tovey Defends Straight Actor Playing Disney's First Gay Character

    In a new interview with The Telegraph, Russell Tovey - best known for his role on HBO's "Looking" - defended straight actor Jack Whitehall, who made headlines this year after it was revealed he'll be playing the first openly gay character in a Disney film.

  • 'When We Rise:' Queer history with an epic sweep

    ABC TV's "When We Rise" covers a lot of ground. The eight-hour presentation, which premieres on ABC TV on Feb. 27, begins in 1972 and ends in 2015, when the United States Supreme Court legalized gay marriage nationwide. The series, which will air over four nights, tells the deeply personal backstories of a diverse group of LGBT people who came to San Francisco looking for a safe haven from a homophobic world. They not only find home, they help launch a worldwide movement.

  • 2014 Winter Arts Guide (Table of Contents)

    South Florida’s Winter Wonderland

    Winter Theater Guide -- Jan to March 2014

    South Florida’s Fabulous Festival’s

    South Florida's Many Museums

    9 Intriguing People of South Florida’s Arts Scene

    The Top 10 Hot Winter Tickets

    5 Exhibits You Must See

    Your Guide to Everything A&E This Winter

    South Florida's Gorgeous Gardens

  • Best Queer Films of 2013

    This year, 2013, was a queer year for film. Interestingly, and perhaps significantly, the most memorable films and performances did not feature gay men, as is usually the case. This year, queer-themed films showcased a heartbreaking turn by Jared Leto as a transsexual with HIV in “Dallas Buyers Club;” Lindsay Lohan engaging in some naughty bisexual misbehavior in “The Canyons;” and in the year’s most incredible film—the three-hour French lesbian romance, “Blue Is the Warmest Color” — a spectacular performance by Adéle Exarchopoulos as a young adult coming of age and to terms with her sexual identity.

  • Matthew Shepard: His Cultural Impact

    In honor of the 16th anniversary of Matthew Shepard's passing, SFGN takes a look back upon some the books, plays and films that have attempted to explain his unique place in history. 

  • Mirror Jan. 2017: Movies & Television

  • Ode To Billy Joe

    The 1960s pop tune that became an early gay movie

  • Relax In Style At iPic

    How would you like to watch a movie in a relaxing atmosphere?

  • Screen Savor: 'Baby Driver'


    “Baby Driver” (TriStar) is a loud, fast-paced, cleverly choreographed and funny action movie; as delirious as it is derivative. “Baby Driver” borrows liberally from a handful of its predecessors, beginning with 2011’s “Drive,” in which a pretty getaway driver played by Ryan Gosling is under the thumb of an ugly cruel boss played by Albert Brooks. In the case of “Baby Driver,” Ansel Elgort’s Baby (not his real name) is beholden to Doc (an especially smarmy Kevin Spacey) until he pays back a large financial debt.

  • Screen Savor: Being neighborly

    Academy Award-winning filmmaker Morgan Neville has a talent for making riveting documentaries about unexpected subjects. He took home an Oscar for 2013’s “Twenty Feet from Stardom”, about the lives of backing vocalists, and 2015’s critically acclaimed “Best of Enemies” was an intimate portrait of the contentious relationship between Gore Vidal and William F. Buckley. Neville’s Mr. Rogers doc,”Won’t You Be My Neighbor?” (Focus), joins Julie Cohen and Betsy West’s “RBG” and Jeffrey Schwarz’s “The Fabulous Allan Carr” among the best documentaries of the year so far.

  • Screen Savor: Colette It Be

    What does it say about the times in which we live that two movies, “Colette” (Bleecker Street) and “The Wife”, about women who were the wives of writers and who were secretly the ones writing their husbands’ books, are playing in theaters at the same time? “The Wife” is set in the mid-to-late 20th century, while “Colette” takes place in the late 19th century and early 20th century, but some of the similarities are difficult to avoid.

  • Screen Savor: McQueen of the Universe

    One of the many things for which the year 2018 will be remembered is the number of (mostly) good documentaries playing in theaters. “Won’t You Be My Neighbor” and “RBG” are sure to be remembered as “best of” lists are compiled at year’s end. Both films are also shoo-ins for Oscar nominations. Unfortunately, the same can’t be said for the flawed “Whitney”.

  • Screen Savor: On-time Arrival

    As modern, non-traditional sci-fi flicks go, Arrival (Paramount), directed by Denis Villeneuve (Sicario and Enemy) and starring Amy Adams, Jeremy Renner and Forrest Whitaker, touches down somewhere between Under the Skin and The Martian. Playing with the perception of time and memory, Arrival introduces the concept of quid pro quo as a means of negotiating with alien visitors in what is destined to become a zero sum game.

  • Screen Savor: Out of Hiding

    Mary Jackson (Janelle Monáe) offers some help to NASA mission specialist Karl Zielinski (Olek Krupa).

    Based on true events, “Hidden Figures” (Fox 2000), co-written/directed by Thomas Melfi (“St. Vincent”) is the kind of uplifting movie we so desperately need during this particular holiday season. Despite its unfortunate title (based on Margot Lee Shetterly’s book of the same name), most of “Hidden Figures”may take place more than 50 years ago, but it remains as timely as ever. The film’s hot-button issues, including discrimination based on race and gender as well as strained relations with Russia, are sadly just as relevant today.

  • Screen Savor: Seaside Sorrow

    Casey Affleck and Lucas Hedges in "Manchester by the Sea."

    Writer/director (and occasional actor) Kenneth Lonergan has an ear for dialogue and the proven ability to transfer the way in which people speak and interact with each other from the page to the screen. It was vividly on display in his 2000 film You Can Count On Me, for which he received an Oscar nomination.

  • Screen Savor: Sing Out!

    Theater owner Buster Moon (McConaughey) hosts a talent competition to save his theater in "Sing" by Illumination Entertainment

    There is nothing new about the 3D animated feature “Sing” (Illumination Entertainment).

    It’s a familiar and formulaic story lifted from any number of Hollywood or Broadway musicals. There’s a crumbling theater. There’s the theater’s owner, Buster Moon (voiced by Matthew McConaughey), whose lifelong love of the stage and a mission to do well by a deceased parent is the driving force behind his drive to save said crumbling theater.

    Naturally, he has a bumbling assistant, the lizard Miss Crawly (voiced by co-director and writer Garth Jennings), whose carelessness leads to a potentially problematic financial situation.

    Additionally, you will find a rag-tag assortment of characters who share a dream to make it big as a performer, in this case as singers auditioning for a talent competition. Among those characters is Meena (voiced by Tori Kelly), an elephant with a deadly case of stage-fright. Another is Rosita (voiced by Reese Witherspoon), a sow whose sizable brood and neglectful husband, deprived her of the chance to fulfill her dream. There is also a prickly (literally) teenage music snob, punk porcupine Ash (voiced by Scarlett Johansen), and a lifelong troublemaker and Rat Pack-style crooning mouse Mike (Seth McFarlane). Johnny (voiced by Taron Egerton), the sensitive gorilla son of a criminal father, and Gunther (voiced by Nick Kroll), a pig for whom singing, dancing and hamming it up makes him squeal (literally) with joy.

    And yet, in spite of not being especially engaging, and coming off as a series of separate stories that didn’t completely coalesce, “Sing” is unquestionably entertaining. It feels like a direct descendant of other colorful 2016 animated films, including “Zootopia” and “The Secret Life of Pets” (the anthropomorphized animals) and “Trolls” (the use of mostly recognizable music). It’s the kind of movie where audience members break into spontaneous applause, as if the characters on screen could actually hear them.

    As you might have guessed from the title, “Sing,” there is singing, and also dancing, interwoven with the tears and trauma. Equally as essential as the music to “Sing” is the comedy. Buster’s best friend, a sheep named Eddie (voiced by John C. Reilly) often provides some of the best comic relief to be found. The scenes with Buster and Eddie’s rich and retired actress grandmother Nana (voiced by Jennifer Saunders) and the gut-busting car wash sequence, alone, are reason enough to see “Sing.”

  • Screen Savor: Skating Away

    Do two movies about teenage skateboarders released within months of the other in the same year qualify as a trend? What if both movies feature single mothers trying to keep their respective offspring out of harm’s way? If so, we have a trend.

  • Screen Savor: Take Five

    There are many things for which the year 2016 will be remembered, including one of the most divisive Presidential elections in the history of the United States. On the positive side, movies, long a reliable source of escapist entertainment didn’t disappoint. Considering that we will need plenty of this kind of pursuit in 2017 and beyond, here are my choices of the five best movies of 2016.

  • Screen Savor: This Woman’s Work

    “The Wife” (Sony Pictures Classics), Björn Runge’s movie adaptation of the novel by Meg Wolitzer (“The Interestings”), with a screenplay by award-winning lesbian screenwriter/director Jane Anderson, is a portrait of a partnership in decline.

  • Trek Sequel Boldly Goes 'Beyond,' Sparks Social Media Controversy

    As diehard “Trekkies” eagerly await the opening this weekend of “Star Trek Beyond,” the 13th film in the 50-year-old science fiction franchise, controversy over one of the characters is just simmering down.