More movie reviews from SFGN's Gregg Shapiro:
Don’t be put off by the “Guess Who’s Coming To Dinner” meets “The Stepford Wives/Rosemary’s Baby” vibe of “Get Out” (Universal), because Jordan Peele’s mind-blowing debut as writer AND director, is so much more. It’s a smart comedy, a reverent and referential horror flick, and it’s a meaningful statement about race in the age of Trump. It’s also the first step to forgiving Peele for 2016’s abysmal “Keanu.”
"Dirty Dancing" & "The Watermelon Woman" Turn 30 and 20
As unexpected hit movies go, few can compare to “Dirty Dancing”(Lionsgate), newly reissued in a 30th (!) anniversary Blu-ray+DVD+Digital HD edition. The film’s novel subject matter, cast of relative newcomers, vintage soundtrack, uplifting theme song and groundbreaking choreography, Patrick Swayze’s body and Jennifer Grey’s original nose, all combined to make it a success.
Remember that movie “Danny Collins” where Al Pacino played the washed-up rock star trying to make amends for his bad behavior? Don’t worry, neither does anyone else. Similarly, “The Comedian” (Sony Pictures Classics) may meet the same fate. In the tradition of unfunny movies about comedians (see the Tom Hanks/Sally Field flop “Punchline” and Adam Sandler’s “Funny People”), “The Comedian” is short on laughs and long on scenery chewing.
"I'm Not Your Negro"
It’s been said that timing is everything. Raoul Peck’s James Baldwin doc “I Am Not Your Negro,” opening in theaters in the wake of Representative and civil rights icon John Lewis’ public feud with President Trump, is proof positive of that. Owing as much to recent film such as“Selma” and “Birth of a Nation” as it does to “Hidden Figures” and “13th,” “I Am Not Your Negro” is required viewing.
“Paris 05:59: Théo & Hugo” (Europa/Epicentre), co-written and co-directed by Olivier Ducastel and Jacques Martineau is a timely and sensitive reminder of the current state of things in the world of gay sex. The lengthy, erotically-charged and sexually graphic opening sequence takes place in a sex club where the red-lit lower level is swarming with writhing naked men engaging in various sex acts.
“20th Century Women”
“20th Century Women” (A24) is such a major disappointment; it’s almost difficult to put it into words. In fact, it’s hard to believe that this chaotic mess is the work of writer/director Mike Mills, the man behind the Oscar-winning 2010 gay movie “Beginners.” Where that movie was effortlessly balanced and emotionally on the level, “20th Century Women” is sloppy, forced and unpleasant. It’s a complete waste of the talents of Annette Bening, on par with Ryan Murphy’s abysmal “Running With Scissors.”
In recent years, with films such as “Deepwater Horizon” and “Lone Survivor,” actor/director Peter Berg has turned his attention to dramatizing real-life events. In “Patriots Day” (CBS Films), starring Mark Wahlberg (who also starred in both previously mentioned movies), Berg may have made the best, if somewhat uneven, film of his career.
When Oscar (Connor Jessup) was a little boy, instead of telling him a bedtime story, his father Peter (Aaron Abrams) would give him a “dream.” As he made up the dream for Oscar’s sleep, Peter would also blow up a balloon, hold the opening to Oscar’s forehead and let the air escape. This is a wonderful image and not the most surreal one in “Closet Monster” (Strand Releasing) by a long shot...
Pablo Larraín’s stunning “Jackie” (Fox Searchlight), begins in Hyannis Port, Massachusetts in the days following her husband President John F. Kennedy’s 1963 assassination and funeral, when widow Jackie (Natalie Portman in an Oscar-worthy performance) met with journalist Theodore H. White (Billy Crudup on the comeback trail) to offer her own “version of what happened.” Portman’s portrayal is graceful and nuanced, recreating, but never imitating, Jackie’s speech pattern, distinctive voice, facial expressions and other mannerisms, including smoking cigarettes...
Based on true events, “Hidden Figures” (Fox 2000), co-written/directed by Thomas Melfi (“St. Vincent”) is the kind of uplifting movie we so desperately need during this particular holiday season. Despite its unfortunate title (based on Margot Lee Shetterly’s book of the same name), most of “Hidden Figures” may take place more than 50 years ago, but it remains as timely as ever. The film’s hot-button issues, including discrimination based on race and gender as well as strained relations with Russia, are sadly just as relevant today...
“La La Land”
Presented in Cinemascope, “La La Land” (Lionsgate) is writer/director Damien Chazelle’s singing and dancing love letter to Hollywood movie musicals and Los Angeles. For fans of Chazelle’s “Whiplash,” jazz gets a big, fat, wet kiss, too...
There is nothing new about the 3D animated feature “Sing” (Illumination Entertainment).
It’s a familiar and formulaic story lifted from any number of Hollywood or Broadway musicals. There’s a crumbling theater. There’s the theater’s owner, Buster Moon (voiced by Matthew McConaughey), whose lifelong love of the stage and a mission to do well by a deceased parent is the driving force behind his drive to save said crumbling theater...
“Manchester by the Sea”
Writer/director (and occasional actor) Kenneth Lonergan has an ear for dialogue and the proven ability to transfer the way in which people speak and interact with each other from the page to the screen. It was vividly on display in his 2000 film You Can Count On Me, for which he received an Oscar nomination...
For his second, full-length feature film, Nocturnal Animals (Focus/Cinedigm), gay fashion designer turned screenwriter/filmmaker Tom Ford has once again chosen to adapt a novel (Tony and Susan by Austin Wright) for the big screen. His first film, the Oscar-nominated 2009 adaptation of Christopher Isherwood’s A Single Man, was, in a word, breathtaking. Ford’s eye for detail made the film stunning to view...
“Fantastic Beasts and Where to Find Them”
"Fantastic Beasts and Where to Find Them" (WB), the latest film adaptation in J.K. Rowling’s popular and profitable film franchise that spawned eight Harry Potter movies, emphasizes comedy and terror in equal measure. Set in New York just a few years after the end of World War I and just before the stock market crash, it’s a prescient Potter prequel that couldn’t be timelier...
As modern, non-traditional sci-fi flicks go, "Arrival" (Paramount), directed by Denis Villeneuve ("Sicario" and "Enemy") and starring Amy Adams, Jeremy Renner and Forrest Whitaker, touches down somewhere between "Under the Skin" and "The Martian." Playing with the perception of time and memory, "Arrival" introduces the concept of quid pro quo as a means of negotiating with alien visitors in what is destined to become a zero sum game...
Those familiar with the fight for marriage equality know that it is not a new one. Almost 50 years before the U.S. Supreme Court ruling on same-sex marriage, a mixed-race couple living in rural Virginia made history when their case, Loving v. Virginia, challenged the Commonwealth’s Racial Integrity Act and, with the aid of the American Civil Liberties Union, they triumphed...
Gregg Shapiro is the author of “Fifty Degrees” (Seven Kitchens, 2016), co-winner of the Robin Becker Chapbook Prize. Other books by Shapiro include the short story collections “How to Whistle” (Lethe Press, 2016) and “Lincoln Avenue” (Squares and Rebels Press, 2014), the chapbook “GREGG SHAPIRO: 77” (Souvenir Spoon Press, 2012), and the poetry collection “Protection” (Gival Press, 2008). An entertainment journalist, whose interviews and reviews run in a variety of regional LGBT and mainstream publications and websites, Shapiro lives in Fort Lauderdale, Florida with his husband Rick and their dog k.d.